Featured Posts
Featured Posts

The July 10th feature in Smithsonian magazine didn’t just cover the debut of Mysteries from the Deep: Exploring Underwater Archaeology at the Intrepid Museum—it revealed something more profound: the principles and priorities that guide how we work at Flying Fish.
The article distilled a core aspect of our exhibition philosophy. As Principal & Managing Director, Jay Brown explained, when the Intrepid first approached us about displaying underwater artifacts, “we broadened the scope to more fully encompass the science and technology behind underwater archaeology—not just the artifacts themselves.”
That shift speaks to a larger philosophy woven into all of Flying Fish’s projects: exhibitions can do more than display extraordinary objects or conjure awe-inspiring worlds. They can illuminate how we know what we know, connecting visitors to the methods, tools, and people behind the discoveries.
What stood out most in the Smithsonian coverage was how clearly it echoed our commitment to centering the human element. Flying Fish Exhibition Developer Stephanie Hanson shared, “Each section of the show was designed to mimic the real stages of an archaeological dive, from discovery to conservation.”
The goal wasn’t just accuracy—it was connection. “These experts do amazing work, and they’re so passionate,” she added. “I hope visitors feel inspired by that.”

The feature also highlighted the way Mysteries from the Deep bridges hands-on experiences with digital exploration—pairing tools like a personality quiz that helps visitors discover “what kind of underwater archaeologist you might be” with tactile interactives designed for broad accessibility.
The exhibition showcases a range of discoveries, including the Clotilda through 3D scans and visual media, the ancient Alpena-Amberley Ridge site revealed using AI, and the Hoyo Negro caves of Mexico, represented by replica remains of extinct species. Each case study offers more than just information; it invites empathy and imagination.
Guest Curator Megan Lickliter-Mundon, who contributed her expertise on wartime wrecks such as the Tulsamerican B-24 bomber, underscored the discipline behind the drama. “Conservation has to occur with every single item that’s brought out from underwater because they’re all affected by saltwater,” she explained. Her insight, grounded in lived experience, exemplifies the kind of authentic voices we’re proud to platform.

As Intrepid Museum President Susan Marenoff-Zausner told Smithsonian magazine, “Mysteries from the Deep is about more than just artifacts. It’s about people, divers, archaeologists, families, ancestors, and communities, all working to preserve legacies and illuminate history from the depths.”
At Flying Fish, we’ve always rooted our work in thoughtful design, accessibility, and meaningful storytelling. So when a respected voice like Smithsonian takes notice, not just of the final product, but of the thinking and care behind it, it’s a welcome affirmation that our approach is resonating.
This kind of recognition isn’t about the spotlight; it’s about alignment. When elements like our bilingual design and tactile interactives—such as the replica skulls from Hoyo Negro, the submerged Late Pleistocene cave systems in the Yucatan Peninsula —are called out, it reinforces that Universal Design isn’t an add-on for us; it’s a foundation.

Coverage like this reminds us why it matters to stay true to our principles. We don’t design for accolades, we design for impact. But it’s deeply encouraging to see that work acknowledged, understood, and valued.
We’ve carried these same principles forward into our latest premieres – Artemis Adventure with LEGO® Bricks and Stardust: The Universe in You – and will continue to build on them with the highly anticipated premiere of Finding Titanic: The Secret Mission and beyond.
Mysteries From the Deep: Exploring Underwater Archaeology, a traveling exhibition co-produced by Flying Fish and the Intrepid Museum, is on view at the museum through January 11th, 2026.
For Museums. By Museums.